No Kahlo : between the "Frankenstein Aesthetics" and the death of God

This article part of an arts research based on the show No Kahlo to evoke the place of contemporary performance as an excellence field of the embedding of images, questioning and understanding the concept of hybridity and micro-history of art; as well as the Nietzschean theory of God's death, associated with Postmodernism and the advent of the ' end of art ' through the interconnection with the theory of the image within the meaning of Jean Pierre Vernant, claiming an understanding of the image while also composed of "pictura" and "imago", rescuing the concepts of "ghostly matters" and "crypto-history of art".