Regarding the permeability of film theory: A reflection on correlations within the framework of the Soviet classical school

Within the intense theoretical scene that unfolds in the post-revolutionary Soviet context, with the objective of exploring and deconstructing the gears which articulates any creative work, a cinematographic expression will build a privileged platform where the reflective domains cite literary theory and musicology, among others.

Thus, in the core of the early theorizing tradition emanating substantially from the editing practice, a passionate speculative dialogue about rhythms, metaphors and intervals is summoned. The article reveals an integrating perspective, the intimate connections that are woven within.