Les petits gens de Paris (1952). At the beginning of RIU SERRA's humanistic drawing
Article Sidebar
Google Scholar citations
Main Article Content
Eduard Riu i Barrera
Departament de Cultura. Generalitat de Catalunya
In 1952, the sculptor Julià Riu i Serra (1921-2006), using RIU SERRA as the signature, was awarded a grant in Paris by the Maillol Circle grant program of Barcelona’s French Institute of Barcelona (a very important institution in the artístic scene of Catalonia in the post-war period). In addition to being impregnated with the city and following his collections of ancient, modern and extra-European art, he also created the series of drawings called Les petit gens de Paris, which are presented here. Exposed in 1953 and remaining long time unknown, these are simple, pen-line works that capture street scenes with humble protagonists who walk, work or wander, and are intertwined with social realism, documentary photography, and humanism that infused many visual and literary productions from the mid-twentieth century.
Keywords
Maillol Circle, drawing, sculpture, humanism, Institut Français Barcelona, Paris, post-war, social realism, Riu Serra, 1952
Article Details
How to Cite
Riu i Barrera, Eduard. “Les petits gens de Paris (1952). At the beginning of RIU SERRA’s humanistic drawing”. Matèria: revista d’art, no. 16-17, pp. 199-25, https://raco.cat/index.php/Materia/article/view/378621.
Rights
(c) Matèria: revista d'art, 2021
Copyright
Authors retain copyright and grant the journal the right of first publication.
Since issue n. 13 (2018), texts will be published under a Creative Commons Attribution-NonComercial-NoDerivatives License that allows others to share the work, provided they include an acknowledgement of the work’s authorship, its initial publication in this journal and the terms of the license.