Heroínas de una Sociedad Misógina. Teresa de Jesús Atrincherada en la Morada. Mística en el Arte Contemporáneo

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Natividad Navalón Blesa
Alejandro Mañas García
Teresa Cháfer Bixquert
This article is the first in a series of reflections in which our main objective is the recovery of space that should never lose women. We review those heroines women in a misogynist society, who have been influential thinkers in the creative work of contemporary art. This text is dedicated to Saint Teresa of Jesus, a heroine, in whom many artists have set their sights as a benchmark for empowerment and they have directed their work toward mysticism, creating a connection between art and spirituality. We collect a selection of artists who have used the mystical, pain, purple, silence, visions, and finally, ecstasy, in their creative process, to give voice to a gender problem in this society and to work in the struggle for the recovery of a space that had always belonged to women. Artists who, through their work, claim a place in a society culturally articulated by man. They are a clear example of what we have called heroines women in a misogynist society.
Paraules clau
art, mysticism, spirituality, feminism

Article Details

Com citar
Navalón Blesa, Natividad et al. “Heroínas de una Sociedad Misógina. Teresa de Jesús Atrincherada en la Morada. Mística en el Arte Contemporáneo”. BRAC: Barcelona, Recerca, Art, Creació, vol.VOL 5, no. 1, pp. 17-44, https://raco.cat/index.php/BRAC/article/view/341574.