SYNTACTIC WAYS OF SUBTEXT MEANING EXPRESSING IN RUSSIAN ORNAMENTAL PROSE

The article is dealing with the description of many-level text sense structure in the examples of ornamental prose. This structure contents an implicit level made with two types of syntactical expressed subtext senses. The terms “emotional subtext” and “conventional subtext” are introduced to name these components. Activation of semantic potentials of some syntactic constructions and models gives the possibility to include information about personage’s emotional condition (emotional subtext) and about certain circumstances of the unwrapping situation into the text (conventional subtext). This type of information can be retrieved from the text while analyzing syntactic constructions.  Emotional subtext serves for making the narration’s implicit background. It marks human’s presence in the text and makes the text sense deeper. Conventional subtext specifies the context. These types of subtext sense appears in those texts where traditional rules of coordination and subordination don’t work. The points of subtext appearing can be marked with the author’s personal punctuation. This way of making texts with the two-level sense structure is the special feather of Russian ornamental prose of the XX th century and reflects the interaction of dictum and modus.