La cultura como mercancía. Una aproximación a los novísimos desde la perspectiva adorniana de la industria cultural

A critical investigation into the literary field necessarily implies an approach employing analytical tools that highlight the political, economic and domination implications often prevalent in the configuration of the canon and accompanying cultural models. In this sense, this paper proposes an approach to a publishing phenomenon of great relevance in the Spanish panorama, the poetic anthology Nueve novísimos poetas españoles; this analysis departs from the perspective of the Adornian concept of cultural industry, not only taking into account the theoretical meaning proposed by this German philosopher but also considering its specific uses in the national panorama of the late Francoist regime.